ArtVark

Dec 07

andytheasthmaticchef:

lego my marvel - ulises farinas

andytheasthmaticchef:

lego my marvel - ulises farinas

notentirely:



iheartmyart:exclamationmark:snowce:Friedrich von Amerling (1803-1887)In Traumen VersunkenOil on canvasPrivate collection

ok… excuse me…. i’m going to geek-out about art for a minute…
the thing about works like this is, you really have to be standing in front of them.
in art school a lot of the theory classes spoke about the ‘death of painting’ and ‘art in the age of reproduction’… and while i grant that i am extremely interested in these topics, i have to say that nothing has ever hit me upside the head like standing in front of sweerts’s “head of an old woman”.
when i first saw it at the getty in LA, i stood literally transfixed for about 20 minutes. i couldn’t leave it. i wanted to see it in my mind always. i tried with all my might to etch every detail - from her soft diverted eyes to the latches on her jacket - into my brain so that i would always be able to recall it.

a work unknown to me previously and yet one that shook me more than any other portrait before or since - i would have dismissed it in any art book, on any postcard and in any blog post.
go stand in front of art. there’s really nothing like it.

notentirely:

iheartmyart:exclamationmark:snowce:
Friedrich von Amerling
(1803-1887)
In Traumen Versunken
Oil on canvas
Private collection

ok… excuse me…. i’m going to geek-out about art for a minute…

the thing about works like this is, you really have to be standing in front of them.

in art school a lot of the theory classes spoke about the ‘death of painting’ and ‘art in the age of reproduction’… and while i grant that i am extremely interested in these topics, i have to say that nothing has ever hit me upside the head like standing in front of sweerts’s “head of an old woman”.

when i first saw it at the getty in LA, i stood literally transfixed for about 20 minutes. i couldn’t leave it. i wanted to see it in my mind always. i tried with all my might to etch every detail - from her soft diverted eyes to the latches on her jacket - into my brain so that i would always be able to recall it.

a work unknown to me previously and yet one that shook me more than any other portrait before or since - i would have dismissed it in any art book, on any postcard and in any blog post.

go stand in front of art. there’s really nothing like it.

free-octopus:flickflickflicker:delayprocrastinate:larobotique:benjaminf:swhy:(via bieliker)

free-octopus:flickflickflicker:delayprocrastinate:larobotique:benjaminf:swhy:(via bieliker)

(via jcontour)

(via jcontour)

nob:

via:

nob:

via:

Dec 02

lindsayhuffman:

this is so cool!
via;christinahhhhhx3

lindsayhuffman:

this is so cool!

via;christinahhhhhx3

suitep:

Bjork by Erez Sabag

suitep:

Bjork by Erez Sabag

(via flickflickflicker)

(via flickflickflicker)

(via coreytess)

(via coreytess)

nicoleok: (via ladylake)

nicoleok: (via ladylake)